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Psychoanalysis and Cinema

Gestalt Therapy. Grief and Bereavement. Group Psychotherapy. Individual Psychotherapy.

Psychoanalysis and Cinema | Columbia University Press

Jung and Analytical Psychology. Lacanian Psychoanalysis. Neuro Linguistic Programming. Organisational Psychology. Popular Psychology.

Psychoanalytic Film Theory

Psychotherapy and Politics. Selected Fiction, Biography and Memoir. Transactional Analysis. Transpersonal Therapy. Trauma and Violence. About Us. She explores the subsequent encounters between the two: the seductions of psychoanalysis and cinema as converging, though distinct, ways of talking about dream and desire, image and Lebeau examines the long and uneven history of developments in modern art, science, and technology that brought pychoanalysis and the cinema together towards the end of the nineteenth century.

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She explores the subsequent encounters between the two: the seductions of psychoanalysis and cinema as converging, though distinct, ways of talking about dream and desire, image and illusion, shock, and sexuality. Beginning with Freud's encounter with the spectacle of hysteria on display in fin-de-siecle Paris, this study offers a detailed reading of the texts and concepts which generated the field of psychoanalytic film theory. Get A Copy. Paperback , pages.

New approaches to psychoanalysis and cinema, 1st Edition

Published March 6th by Wallflower Press first published February 15th More Details Original Title. Other Editions 1.


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This book is not yet featured on Listopia. Community Reviews. Showing Rating details. Sort order. Jan 20, Rebecca Martin rated it liked it. This book is a useful introduction to Freudian theories that have been so significant in the analysis of film at least since the s.

It's a good place to start to learn about the early development of Freud's theories, particularly regarding hysteria. My disappointment comes, though, from the fact that the balance of the book is very much toward psychoanalysis and there is not enough application of those theories to films. The only one that gets any kind of prolonged treatment is The Birds. An This book is a useful introduction to Freudian theories that have been so significant in the analysis of film at least since the s.

An entire chapter of five is devoted to The Freud Scenario as "one of the most powerful reflections on the origins of psychoanalysis" that "comes through cinema"